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The Flash Season3

Episode 01:Flshpoint
  Episode 02:Paradox
  Episode 03:Magenta
  Episode 04:The New Rogues
  Episode 05:Monster
  Episode 06:shade
  Episode 07:Killer Frost
  Episode08:Invasion! Episode09:The Present

The Servant

The Servant (Hangul: 방자전; RR: Bang-ja-jeon; lit. "The Story of Bang-ja" or "Bang-ja Chronicles", compare to Chunhyangjeon) is a 2010 South Korean historical romantic drama film starring Kim Joo-hyuk, Jo Yeo-jeong and Ryoo Seung-bum. It re-tells the origins of the famous Korean folktale Chunhyangjeon from the perspective of the male protagonist Lee Mong-ryong's servant.[3][4][5][6]

The film was a box office hit, receiving 3,014,523 admissions.
Throughout the movie, the scene switches between the 'present' Bang providing the narration, and the flashback events of his past. While a servant, Bangja shares his rooms with Mr. Ma, a notorious womanizer and self-stylized Lothario. Bangja escorts his master (Mong-ryong) to an evening out at the local pleasure house, where they are witness to a performance by the madam's daughter Chunhyang. While trying to arrange a meeting between Chunhyang and his rather clumsy and socially awkward master, Bangja defends Mong-ryong from a larger, disgruntled patron and inadvertently impresses both Chunhyang and her maidservant Hyangdan. Mr. Ma begins to coach the simple, honest Bangja in the ways of seducing women, which Bang uses to secure a picnic outing for Mong-ryong with Chunhyang through Hyangdan. During the excursion, Bangja so astounds the ladies by cooking meat to perfection, recovering Chunhyang's slipper from the waterfall pool, and carrying her on his back after she injured her ankle, that a love triangle rapidly begins to form between the two women and Bangja, much to the consternation of Mong-ryong, though he boasts that he is slowly luring Chunhyang to him by playing hard to get. While his master continues to study, Bangja attempts to court Chunhyang. Mr. Ma continues to provide instruction to Bangja, assuaging his concerns when he thinks his master may have slept with her, and pushing him to seize upon spending the night with her before his master can. Though Bangja's seduction is clumsy and his approach very tentative, Chunhyang begins to fall for him and makes love to him on several occasions. Due to his low social-standing, however, she seeks to marry Mong-ryong and enlists Bangja's help in order to make this plan a reality. When Mong-ryong is called away to Seoul to finish studying and take his exam he asks Bangja to recover a written promise he gave Chunhyang about marrying her. She catches Bangja as he tries to steal the paper, and switches it for a confession letter she wrote and got him to sign the night the two of them first had sex. Mong-ryong reads the letter and dismisses Bangja from his service for having deceived him. Three years pass, and Bangja and Chunhyang grow closer and continue to love each other while Bangja becomes the servant of Chunhyang's house and runs errands for a local strong man. However, Chunhyang begins to take after her mother and grows increasingly manipulative despite her burgeoning love for Bangja. In Seoul, Mong-ryong takes his exams and becomes a Royal Inspector. After insulting the court eunuchs however, he is accorded a lowly position in his home town, subservient to the new governor. Mong-ryong finds Hyangdan has become the madam of her own house and runs a successful business. She sleeps with Mong-ryong and asks him if she is not more desirable and pleasing than Chunhyang, but expresses remorse that Bangja chose Chunhyang over her. Mong-ryong discusses women with his magistrate and later returns to Chunhyang's house. Mong-ryong goes for a walk with Chunhyang, and though it is not revealed what the two discussed, Chunhyang returns with a pleased expression and an expectation of seeing Mong-ryong again. The magistrate visits Chunhyang's house and after a confrontation with his own clerks and then Bangja, is greeted by a beautiful, but uncooperative Chunhyang who refuses to sit and pour his drinks because she is not a gisaeng. Enraged by her arrogance, the governor beats Bangja when he attempts to interfere, and has Chunhyang imprisoned. Bangja goes to Mong-ryong and implores his old master to help save her life. Later, during a celebration, the magistrate is seen in a back room attempting to sexually excite Chunhyang because Mong-ryong had told him that she would only bow to his wishes and fulfill his desires if he were violent with her. Bangja causes a commotion to get the magistrate to release her, but is saved from being beaten by the guards when Mong-ryong arrives with a large contingent of guards. Mong-ryong arrests the magistrate and has Chunhyang whipped for her insolence until Bangja interferes, claiming that she has a husband whom she was remaining faithful to. Chunhyang stabs herself with a small blade, saying to Mong-ryong (whose face was hidden) that she wanted news of her death taken to Master Lee Mong-ryong. Bangja is visited in his cell, first by Mr. Ma, who warns him to never beg a woman to stay, then by Chunhyang, who reveals that she and Mong-ryong planned the whole event after he returned from his exams. For the first time, Bangja confesses his love to Chunhyang, who leaves him. Distraught by these event, she then tells Mong-ryong that she will not leave without Bangja, and so the three of them depart the city together. When the trio stop at the waterfall where they had their first excursion years before, Mong-ryong pushes Chunhyang down the falls and she is seen face-down in the water. Bangja dives in to save her and runs away, carrying her on his back as he did when she injured her ankle. The 'present' Bangja tells the writer that he ran from Mong-ryong and his agents for a long time after those events. The last thing he does to bring the story to close is bring the writer to the back of his warehouse to see Chunhyang who survived the fall, but was left with brain damage and has 'become a child'. The writer declares that Bangja is an amazing man and will make him the hero of a wonderful story about a servant's love, but Bangja insists that the story be told with her fabricated fidelity being the truth, and Chunhyang living happily ever after with a Lee Mong-ryong who loved her and returned for her. When asked why, he says it was because it was something she never got to have, and he is happy with being the hero in his heart. Bangja requests one scene be written to demonstrate the love between the two characters, which he demonstrates by carrying Chunhyang around the room on his back and singing a variation of the song Sarangga from the pansori Chunhyangga while she smiles lovingly and snow flakes slowly fall on them from the open roof. The last scenes are of people in the village where they lived, the times when she entertained guests at her house with her singing, and of her shoe in the ice below the waterfall where he saved her.

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Liu Pingguo (Fan Bingbing) and her husband, An Kun (Tong Dawei) are a young migrant couple from the northeast of China who have moved to Beijing for a better life. Pingguo and An Kun live in a dilapidated apartment eking out their existence working menial jobs. An Kun works as a window washer, while his wife works in the Golden Basin Massage Parlor as a foot masseuse. Golden Basin is owned and operated by Lin Dong (Tony Leung Ka-fai), an unabashed womanizer, and himself from Guangdong Province. His wife, Wang Mei (Elaine Jin) practices Chinese medicine. Very soon, the two couples find themselves headed for a collision course. When Pingguo's best friend, Xiao Mei (Zeng Meihuizi), assaults a customer, she is quickly fired by Lin Dong. Pingguo, wishing to commiserate, takes her friend out and promptly becomes drunk on bai jiu. Returning to the Golden Basin, she passes out in an empty office. Lin Dong, seeing the vulnerable Pingguo attempts to make a pass, which quickly turns into rape, a rape witnessed by the window washer, An Kun. Furious at the sight, An Kun begins a campaign of harassment against Lin Dong, defacing his Mercedes Benz, and attempting to blackmail him for ¥20,000. When Lin Dong ignores the furious husband, An Kun goes directly to Wang Mei, who rather than acquiescing, seduces the naive window washer. Soon, it is discovered that Liu Pingguo is pregnant, though neither An Kun nor Lin Dong can be certain of who is the father. Lin Dong, however, sees in Pingguo an opportunity to make things right with his barren wife as well as to settle things with Pingguo and her husband once and for all. Soon, the two husbands have concocted a scheme wherein An Kun initially receives ¥20,000 for his mental suffering. If the child has Lin Dong's blood type, he will go home with the massage-parlor owner and An Kun will receive ¥100,000. If however, the baby is An Kun's, no money is exchanged, but Pingguo and An Kun keep the baby. Moreover, if Lin Dong again sleeps with Pingguo, half of his assets will go to Wang Mei in a divorce proceeding. During these negotiations, Pingguo remains conspicuously silent. As the baby is carried to term, Lin Dong becomes more and more attached to the idea that he will at last be a father. When the baby is born however, An Kun discovers that it is indeed his child. Unable to turn down the money, he manages to convince Lin Dong that it is his son, allowing him to collect the ¥120,000. Although, seeing how happy Lin Dong is with the baby, An Kun grows increasingly jealous, at last resorting to a clumsy and ultimately doomed kidnapping. After being released (presumably by Wang Mei, who has decided to divorce her husband), An Kun attempts to "repurchase" his child, to which Lin Dong promptly refuses. Pingguo, who had moved into Lin Dong's home after the birth as a nursemaid, at last has had enough. Quietly, she gathers the money that An Kun had returned, and taking her child, walks out the door. The film then ends as the two men, Lin Dong and An Kun, attempt to search for her, only to have their car break down on a busy Beijing highway...

The Concubine 2012

The Concubine (Hangul: 후궁: 제왕의 첩; RR: Hugoong: Jewangui Chub; lit. "Royal Concubine: Concubine to the King") is a 2012 South Korean historical film directed by Kim Dae-seung.[2][3][4][5] Set in the Joseon Dynasty, it centers around Hwa-yeon (Jo Yeo-jeong), who becomes a royal concubine against her will, Kwon-yoo (Kim Min-joon), a man torn between love and revenge, and Prince Sung-won (Kim Dong-wook), who has his heart set on Hwa-yeon despite the countless women available to him. These three characters form a love triangle which is ruled by dangerous passion. The struggle to survive within the tight-spaced boundaries of the palace is intense, and only those who are strong enough to overcome the hell-like milieu can survive.

Set during the early Joseon Dynasty, the film begins with a concubine of the previous king (Park Ji-young) in a precarious position of having no blood ties to her step son, the current childless, widow king (Jung Chan). She schemes to replace him on the throne with her submissive young son Sung-won (Kim Dong-wook). Indifferent to his mother’s plans, the timid prince falls in love at first sight with Hwa-yeon (Jo Yeo-jeong), an aristocrat’s daughter, who has already found love with Kwon-yoo (Kim Min-joon), a low-born commoner. When her father (Ahn Suk-hwan) must send her to the royal palace as a concubine for the king, the two lovers try to elope but are caught after their first night together. Hwa-yeon agrees to enter the palace in exchange for saving Kwon-yoo's life. Five years later, Hwa-yeon has become the Queen from giving birth to a son. Sung-won comes back from traveling to see the King upon hearing of his ill-health. In a private conversation, Sung-won gifts a hair stick to Hwa-yeon as a present and confession of his feelings. The king dies of a mysterious illness, and the former concubine sits her son, Prince Sung-won, on the throne as a puppet king, naming herself Regent and Queen Mother and taking firm control over the royal court. Hwa-yeon is moved to a closely watched, humble residence, where she is being under surveillance constantly. When Hwa-yeon's father, a royal court minister, attempts to prove that the previous king died from poisonous assassination, he and all of the ministers disloyal to the queen mother are arrested for treason. Hwa-yeon discovers her former lover, Kwon-yoo, working in the castle among the eunuchs. Initially glad to see him, she reaches out for comfort and assistance, hoping some of their original feelings remain. Though his life was spared, Kwon-yoo was castrated by Hwa-yeon's father for daring to elope with her and he is now resentful and embittered towards both of them. Kwon-yoo has aligned himself with Minister Yoon and the Queen Mother to find power in his new position and rebuffs Hwa-yeon. Hwa-yeon's efforts to free her father and rescue him from execution are sabotaged by Kwon-yoo, who directly undermines Sung-won's exoneration orders to ensure the man's death. Kwon-yoo agrees to assassinate Hwa-yeon and her child with a block of poisonous aconite received from Minister Yoon by the orders of the Queen Mother, who wishes to secure her position and remove Hwa-yeon from influencing Sung-won. Sung-won is still very attracted to Hwa-yeon, bestowing favors and attention. In a fit of pique, he takes Geum-ok, Hwa-yeon's personal maid, as a minor concubine so he can inquire about Hwa-yeon's private habits. One night, Sung-won enters Geum-ok's room and is frothed into a rage when he sees her wearing the hair stick he had gifted to Hwa-yeon. To save her own life, Geum-ok reveals that Kwon-yoo had a relationship with Hwa-yeon, and that the young prince had been born prematurely, making his parentage suspect. Sung-won confronts Hwa-yeon, accusing her of hiding her lover as a fake eunuch, but dismisses the accusations after pulling down Kwon-yoo's pants to reveal his castration. Sung-won attempts to rape Hwa-yeon, but Hwa-yeon shoves him off and tells him to "come back when you become a true King." After this incident, Kwon-yoo believes that he is the father of Hwa-yeon's child from the night they eloped together and has a change of heart about helping her, swearing to protect her and her son at any cost. In order to place his son on the throne and place a trap for the Queen Mother and King, Kwon-yoo turns on Minister Yoon by placing the poison in Sung-woo's medicinal drink. However, Kwon-yoo is left with no choice but to drink his own concoction to allay suspicion from Hwa-yeon and his child. After Kwon-yoo's violent reaction to the poisonous medicinal drink, the interrogated physician admits that Minister Yoon, who is directly beneath the Queen Mother, is head of medicine. Hwa-yeon has sent her son away for his safety and been imprisoned by the Queen Mother, who charges Hwa-yeon with treason and orders Minister Yoon to end both the mother and son's life. Sung-won accuses his mother of trying to poison him, leading to her admission that she had poisoned the previous king to place Sung-won on the throne, which horrifies him since he had loved his brother and never desired to be king. Kwon-yoo and Minister Yoon are brought in to confirm or deny the plot to poison the current king. Keeping his promise to Hwa-yeon to protect her and her son, Kwon-yoo lies, saying the Queen Mother was behind Sung-woo's assassination attempt, with Minister Yoon providing the poison. Sung-woo orders the men's execution and for the Queen Mother to be permanently placed under house arrest in her chambers. In a carriage heading towards his execution, Kwon-yoo says his goodbyes and asks Hwa-yeon to protect their son after he dies, but Hwa-yeon replies "Our son? The prince is no one's son. He is my son." Kwon-yoo is devastated he has sacrificed his life for Hwa-yeon's child, who may not be his own, and Hwa-yeon has her revenge for her father's death. Sung-woo, now a true king, is greeted in his room by Hwa-yeon and the two engage in sexual intercourse before Hwa-yeon kills him. Queen Mother is quickly disposed of after him. The last scene shows Hwa-yeon smiling at her son playing on the throne in the empty royal court, before her face turns when the door shuts and she realizes she can't go back.

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Before the Second World War, Lan Kwai Fong was dedicated to hawkers. In early days, the square housed many mui yan (媒人, lit. "intermediary person"), or marriage arrangers, a role exclusively held by females. Mui yan were marriage intermediaries between two families in traditional times. It was thus known as Mui Yan Hong or Hung Leung Hong.[citation needed] Between 2011 and 2015, a massive change was underway, following Zeman's decision to replace his block in Lan Kwai Fong. This led to a substantial area of Lan Kwai Fong becoming a construction site.